Specifications:17/17637-mpc4000.pdf file (15 Nov 2023)
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Akai MPC4000 DJ Equipment, Recording Equipment PDF Operation & User’s Manual (Updated: Wednesday 15th of November 2023 05:58:59 AM)
Rating: 4.4 (rated by 16 users)
Compatible devices: S5000, Remix 16, MPC 2000XL, MPC5000, Professional MPC 1000, MPK25, FIRE, S6000.
Recommended Documentation:
113, Synchronized operation with other devices 105 The MIDI mode Event page will appear. A MIDI monitor field: Selects the MIDI con- nector that you will monitor. B View channel field: Selects the MIDI chan- nel that you will monitor. C Monitor field: Displays the MIDI events that are being transmit…
56, Chapter 5—Using multis and parts 48 5 Using multis and parts This chapter explains how to use “parts” which are the way you play the programs of the sampler section, and “multis” which let you manage multiple parts together. About parts In order to play a program that has b…
58, Akai MPC4000 Chapter 5—Using multis and parts 50 The setting of the parameter will change immediately when you adjust it. Each parameter has the following range. • Lvl (volume) field............................. –60.00 dB–+6.0 dB • Pan field............................................ L5…
28, Chapter 3—Creating and editing a sequence 20 1. If you want to use a drum program of the internal sampler as your sound source, load the desired program into the internal memory of the MPC4000. 2. If you want to use an external rhythm machine as your sound source, connect one of the [MIDI…
38, Chapter 3—Creating and editing a sequence 30 ■ [F5] key (EDIT)/(PASTE) The editing command assigned to the [F5] key will depend on whether you have selected a region in the graphic editor. EDIT will be assigned to this key if you have selected a region, and PASTE if you have …
8, Contents vii Saving and loading samples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77 Saving samples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77 Loading samples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .…
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