Moog 500 SERIES Operation & User’s Manual

3, MOOG 500 SERIES ANALOG DELAY Thank you for purchasing the Moog 500 Series Analog Delay - the world’s first delay designed exclusively for the 500 Series format. The Analog De- lay features 800ms of the warmest, and most musical analog delay on the planet, an all-analog signal path, and a LFO …

6, Moog 500 SERIES 6 ANALOG DELAY LEVEL LFO TIME 0.5x 1.0x 400 mS 800 mS 200 mS 80 mS FEEDBACK 8 ∞ 0 2 4 MIDI TAP/CV DRY WET OUTPUT 0 4 6 100 4 6 10 DRIVE BYPASS FRONT PANEL CONTINUED TIME RANGE : Selects between short (0.5x) and long (1.0x) delay times. Switching from 0.5x to 1.0x will lower t…

14, 14 TAP/CV INPUT TAP TEMPO The TAP TEMPO input on the Analog Delay can be used to control either the DELAY TIME or the LFO RATE. SET A TEMPO: Simply plug in a Moog FS-1 footswitch and tap at the de- sired tempo in quarter notes. After the third tap the Delay will begin calcu- lating the tempo a…

8, 8 SLEW RATE: Sets the speed at which the DELAY TIME transitions from a prior setting to a new one when changing delay time via LFO or directly. MIDI CC#: MSB-5, LSB-37 MULTIPLIER: Depending on DELAY TIME and TIME RANGE settings, the MULTIPLIER enables longer DELAY TIMES. Some settings c…

4, 4 TERMINOLOGY The term Delay Line refers only to the Bucket Brigade Devices (BBDs) and analog signal processing between the input and output stages. Delay and Analog Delay refer to the entire 500 Series Module. GAIN STAGING Unlike digital delays, pushing the Analog Delay into overdrive is …

5, 5 FRONT PANEL DRIVE: Sets the input sensitivity of the Analog Delay providing a 30dB range of adjustment for optimum signal path, level matching, or over- driven sounds. LEVEL LED: Works in conjunction with the DRIVE control. RED indicates clipping (this can be used for adding color). O…